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Although they often employed the same tunes as folk music elsewhere, Mormon folk music is distinctively Utahn. The songs often include unique pioneer-era Latter-Day Saint culture references to crossing the plains, LDS ecclesiastical leaders, and LDS religious convictions. Hymns and other folk music were used to lift the spirits of all the ...
A new edition of the Sunday School songbook entitled Deseret Sunday School Songs was published in 1909. Following the format of the Songs of Zion hymnbook, it was expanded and printed with two-staff notation instead of the three-staff format of the Psalmody. Deseret Sunday School Songs outlasted the Psalmody, being used in the LDS Church until ...
Although references to a Heavenly Mother by church leadership have occurred every few years [4] since Smith first taught the doctrine, the hymn is significant in terms of Mormon theology in that it is perhaps the most prominent and well-known reference to a "Heavenly Mother" in materials published by the Church of Jesus Christ of Latter-day Saints.
The poem was composed soon after Smith's death, and was later set to music and adopted as a hymn of the Church of Jesus Christ of Latter-day Saints (LDS Church). It was first published with no directly attached name in the church newspaper Times and Seasons in August 1844, approximately one month after Smith was killed. [ 1 ]
This article refers to the English version. The book was published on the 150th anniversary of the publication of the first LDS hymnbook, compiled by Emma Smith in 1835. Previous hymnbooks used by the church include The Manchester Hymnal (1840), The Psalmody (1889), Songs of Zion (1908), Hymns (1927), and Hymns (1948).
The music is an adapted version of Caroline Sheridan Norton's "The Officer's Funeral March". [1] George D. Pyper described "We Thank Thee, O God, for a Prophet" as "exclusively a Latter-day Saint hymn; a Mormon heartthrob; a song of the Restoration". [2]
Popular funeral passages were easily recognized by Mormons at the time. Speakers placed various verses "in the context of the restored truths of an all-encompassing plan of salvation," emphasizing the eternal nature of family units. Quoting just the Book of Mormon and Doctrine and Covenants during funeral sermons became more common after 1850. [29]
"Oh, What Songs of the Heart" is a Mormon hymn, the text of which was written by Joseph L. Townsend, a Latter-day Saint poet who lived in the late 19th and early 20th century. The music was written by Latter-day Saint musician William Clayson .