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al-Maṣīr; French: Le Destin) is a 1997 Egyptian-French historical drama film directed and co-written by Youssef Chahine. It was screened out of competition at the 1997 Cannes Film Festival. [1] The film was selected as the Egyptian entry for the Best Foreign Language Film at the 70th Academy Awards, but was not accepted as a nominee. [2] [3]
The following is a list of Egyptian films. The year order is split by decade. For an alphabetical list of films currently on Wikipedia, see Category:Egyptian films.
The Other (Arabic: الآخر, translit. El akhar, French: L'Autre) is a 1999 French-Egyptian drama film directed by Youssef Chahine.It was screened in the Un Certain Regard section at the 1999 Cannes Film Festival. [1]
Moses (film) 1995 Slave of Dreams: 1998 The Prince of Egypt: Set in Ancient Egypt, during the reign of Ramesses II, a member of the Nineteenth Dynasty of Egypt. The film is based on the founding narrative of the Exodus, as depicted in the books of Exodus, Leviticus, Numbers, and Deuteronomy. 1999 Astérix et Obélix contre César: 1999 ...
The Bibliotheca Alexandrina’s 100 , [1] Greatest Egyptian Films is a list compiled in November 2006 by a committee formed by Bibliotheca Alexandrina, which includes Ahmed El Hadari as the committee head, with the membership of Samir Farid and Kamal Ramzi.
The Blue Elephant (Egyptian Arabic: الفيل الأزرق, romanized: Al Fil Al Azraq) is a 2014 Egyptian drama/horror/mystery film produced and directed by Marwan Hamed in Cairo, Egypt. The story was originally translated into film from a 2012 Arabic novel written by the famous Egyptian writer Ahmed Mourad , and starring Egyptian actors ...
Screened at the 2004 Cannes Film Festival: Aris Min Geha Amneya (A Groom from the Security Entity) Ali Idris: Adel Emam, Hala Shiha, Sherif Mounir, Lebleba: Comedy: Bab El Shams (The Gate of Sun) Yousry Nasrallah: Hiam Abbass: War / drama: Screened at the 2004 Cannes Film Festival: Baheb el cima (I Love Cinema) Osama Fawzy: Mahmoud Hemida ...
The film was released on Eid Al Adha 2019 The second part continues where the first part ended in the stories of Hatshepsut in the Pharaonic era and Ali al-Zaybak during the Ottoman era, and Bisher al-Katatni, the head of the political pen, who faces new challenges in work and love, and tries to show his son Hassan the way to the treasure.