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The British pianist Tobias Matthay wrote a small book Principles of Fingering (ISBN 0900180420). In 1971 Julien Musafia published his book "The Art of Fingering in Piano Playing" (M.C.A., New York, N.Y., 90 pages). [3] The book includes musical examples mostly from the Beethoven's Violin and Piano Sonatas and from the Preludes and Fugues of ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In that case, it can mean either accent the note in question by holding it to its full length (or longer, with slight rubato), or play the note slightly louder. In other words, the tenuto mark may alter the length of a note at the same time a dynamic mark adjusts its volume. Either way, the tenuto marking indicates that a note should receive ...
In slow-moving music with expressive sustained bowed notes, finger substitution may be used so that a particular finger can be used for vibrato, to add emphasis to a note, or to introduce a subtle glissando effect (especially in Tango music and certain Romantic styles). One of the difficulties with finger substitution is maintaining correct ...
Finger-tapping consists of placing one hand with the finger pads on the keyboard, with the PIP joint as the highest point, and then using the other hand to tap on the DIP joint or the fingertips, then releasing the fingers, allowing them to return quickly to the surface.
Tablature (or tab for short) is a form of musical notation indicating instrument fingering or the location of the played notes rather than musical pitches. Tablature is common for fretted stringed instruments such as the guitar , lute or vihuela , as well as many free reed aerophones such as the harmonica .
A C-clef on the first line of the staff is called the soprano clef. It was used for the right hand of keyboard music (particularly in France – see Bauyn manuscript), in vocal music for sopranos, and sometimes for high viola da gamba parts along with the alto clef. It was used for the second violin part ('haute-contre') in 17th century French ...
This type of keyboard layout, known as the enharmonic keyboard, extended the flexibility of the harpsichord, enabling composers to write keyboard music calling for harmonies containing the so-called wolf fifth (G-sharp to E-flat), but without producing aural discomfort in the listeners (see Split sharp). The "broken octave", a variation of the ...