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Throughout Haitian history, Christians have often presented Vodou as Satanic, [553] while in broader Anglophone and Francophone society it has been widely associated with sorcery, witchcraft, and black magic. [554] In U.S. popular culture, for instance, Haitian Vodou is usually portrayed as destructive and malevolent. [555]
Louisiana Voodoo, or New Orleans Voodoo, a set of African-based spiritual folkways Trinidadian Vodunu , a syncretic religion practiced in Trinidad and Tobago Voodoo in popular culture , fictional characterizations of various forms of Voodoo
Like its Haitian counterpart, New Orleans Voodoo was brought by enslaved Africans from West Africa to French Louisiana during the slave trade. Contrary to popular belief, Haitian Vodou and Louisiana Voodoo are not the same—these African diaspora religions have their own history and identity. From its beginning, female practitioners played a ...
Former academic historian Albert J. Raboteau in his book, Slave Religion: The "Invisible Institution" in the Antebellum South, traced the origins of Hoodoo (conjure, rootwork) practices in the United States to West and Central Africa. These origins developed a slave culture in the United States that was social, spiritual, and religious. [141]
Haitian mythology consists of many folklore stories from different time periods, involving sacred dance and deities, all the way to Vodou.Haitian Vodou is a syncretic mixture of Roman Catholic rituals developed during the French colonial period, based on traditional African beliefs, with roots in Dahomey, Kongo and Yoruba traditions, and folkloric influence from the indigenous Taino peoples of ...
Damballa is said to be the sky father and the primordial creator of all life, or the first thing created by the Bondye.In those Vodou societies that view Damballa as the primordial creator, he created the cosmos by using his 7000 coils to form the stars and the planets in the heavens and to shape the hills and valleys on Earth.
Palmer notes that Legba can be referred to/identified as "the Devil", "Papa Legba", and "The Black Man" throughout the history of the blues. [4] This is also made clear in ethnomusicologist Bruno Blum 's text for the CD box set Voodoo in America [ 5 ] where reference to Papa Legba, deity of roads and crossroads, in Robert Johnson 's iconic song ...
Modern day Voodoo is usually associated with satanism and witchcraft. This is because of how voodoo is presented in media and pop culture. In pop culture, Voodoo is often portrayed as "black magic" and placing "hexes". Along with witchcraft, Vodou is commonly connected with harm and animal sacrifice, the main use for Vodou is healing.