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List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament ...
Scales are typically listed from low to high pitch. Most scales are octave-repeating, meaning their pattern of notes is the same in every octave (the Bohlen–Pierce scale is one exception). An octave-repeating scale can be represented as a circular arrangement of pitch classes, ordered by increasing (or decreasing) pitch class.
Sonata for Violoncello and Piano, Mov. II (1910) [10] Sergei Rachmaninoff; Trio élégiaque No. 2. Nikolai Rimsky-Korsakov; Sadko (1867) [11] [12] Arnold Schoenberg; Piano Piece, Op. 23, no. 3 (1923) [13] Franz Schubert; Symphony No. 8, 1st mvt., bars 13-20 [7] Piano Sonata in C major, D 840 (Schubert), 1st mvt bars 33-39. Alexander Scriabin ...
In music theory, the scale degree is the position of a particular note on a scale [1] relative to the tonic—the first and main note of the scale from which each octave is assumed to begin. Degrees are useful for indicating the size of intervals and chords and whether an interval is major or minor .
Exercises 44 - 60: Labeled "virtuoso exercises for mastering the greatest technical difficulties." Since this section is considerably more difficult, Hanon recommends the mastery of both previous parts before proceeding to this one. This part includes repeated notes, repeated double notes, scales in thirds and octaves, tremolos, and more.
Few large-scale works in B major exist: these include Haydn's Symphony No. 46. The aria "La donna è mobile" from Verdi's opera Rigoletto is in the key, as is the "Flower Duet" from Lakmé. Schubert's Piano Sonata, D. 575 and Dvořák's Nocturne Op. 40 are in B major. Brahms's Piano Trio No. 1, Op. 8, is in B major, though the piece ends in B ...