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On the other hand, visual art critic Clement Greenberg called German philosopher Immanuel Kant (1724–1804) "the first real modernist", [56] although he also wrote, "What can be safely called modernism emerged in the middle of the last century—and rather locally, in France, with Charles Baudelaire (1821–1867) in literature and Manet in ...
Modernist literature addressed similar aesthetic problems as contemporary modernist art. Gertrude Stein's abstract writings, such as Tender Buttons (1914), for example, have been compared to the fragmentary and multi-perspective Cubist paintings of her friend Pablo Picasso. [29]
Clement Greenberg sees Modernism ending in the 1930s, with the exception of the visual and performing arts. [6] In fact many literary modernists lived into the 1950s and 1960s, though generally speaking they were no longer producing major works. The term late modernism is also sometimes applied to modernist works published after 1930. [7]
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. [1] The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. [ 2 ]
After an academic training and a first contact with modern art during his stay in Barcelona, where he joined the modernist circle, between 1901 and 1907 he opted for a style close to symbolism, which resulted in the blue (1901–1904) and rose (1904–1907) periods of the Malaga-born artist.
The poem is known for its disjointed nature due to its usage of allusion and quotation and its abrupt changes of speaker, location, and time. This structural complexity is one of the reasons that the poem has become a touchstone of modern literature, a poetic counterpart to a novel published in the same year, James Joyce's Ulysses. [76] [page ...
However many modern artists such as Eric Gill, Marc Chagall, Henri Matisse, Jacob Epstein, Elisabeth Frink and Graham Sutherland have produced well-known works of art for churches. [3] Through a social interpretation of Christianity, Fritz von Uhde also revived the interest in sacred art, through the depiction of Jesus in ordinary places in life.
Vorticism was a London-based modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in Blast magazine.