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The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, pop, and popular music. The oboe is widely recognized as the instrument that tunes the orchestra with its distinctive 'A'. [3] A musician who plays the oboe is called an oboist.
Heinz Robert Holliger (born 21 May 1939) is a Swiss composer, virtuoso oboist, [1] and conductor. Celebrated for his versatility and technique, Holliger is among the most prominent oboists of his generation. [1]
The bass oboe or baritone oboe is a double reed instrument in the woodwind family. It is essentially twice the size of a regular (soprano) oboe so it sounds an octave lower; it has a deep, full tone somewhat akin to that of its higher-pitched cousin, the English horn. The bass oboe is notated in the treble clef, sounding one octave lower than ...
The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. [1] It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes .
Music for Oboe, Oboe d'amore, Cor anglais, and Piano – chamber music from the 19th century, with Markus Becker (EMI Classics 5731672) J. S. Bach's Double concerto for oboe and violin, with Kennedy (violin) with the Berlin Philharmonic (EMI Classics 5570162) Lost and Found – February 2015, Oboenkonzerte des 18. Jahrhunderts von Hoffmeister ...
The shehnai is a type of oboe from the Indian subcontinent. [1] It is made of wood, with a double reed at one end and a metal or wooden flared bell at the other end. [2] [3] [4] It was one of the nine instruments found in the royal court. The shehnai is similar to South India's nadaswaram.
The oboe d'amore was invented in the eighteenth century and was first used by Christoph Graupner in his cantata Wie wunderbar ist Gottes Güt (1717). Johann Sebastian Bach wrote many pieces—a concerto, many of his cantatas, and the Et in Spiritum sanctum movement of his Mass in B minor—for the instrument.
Eugene Izotov serves on the oboe faculty at The Colburn School, San Francisco Conservatory of Music, and previously served on the faculty of The Juilliard School and DePaul University. He is a regular guest artist at New World Symphony, Oberlin Conservatory, Juilliard, Cleveland Institute of Music, Lynn University, and Domaine Forget.