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Pages in category "Paintings of the Madonna and Child by Titian" The following 19 pages are in this category, out of 19 total.
Madonna and Child with Four Saints or Madonna and Child with Saints John the Baptist, Paul, Mary Magdalene and Jerome is a c. 1516-1520 oil on panel painting by Titian, now in the Gemäldegalerie in Dresden. It belongs to the sacra conversazione genre and features saints John the Baptist, Paul, Mary Magdalene and Jerome. [1]
The Detroit Madonna by Giovanni Bellini. The Gypsy Madonna (Italian: Madonna zingarella) is a panel painting of the Madonna and Child in oils of about 1510–11, [1] by Titian, now in the Kunsthistorisches Museum, in Vienna. It is a painting made for display in a home rather than a church. [2]
Madonna and Child with Saint John the Baptist and Saint Catherine (The Aldobrandini Madonna) c. 1532: 100.6 × 142.2 cm: National Gallery (London) Portrait of Charles V with a Dog: c. 1532–1533: 192 × 111 cm: Museo del Prado (Madrid) The Penitent Magdalene: c. 1531–1533: 85 × 68 cm: Palazzo Pitti The Presentation of the Virgin at the Temple
The Pesaro Madonna (Italian: Pala Pesaro) (better known as the Madonna di Ca' Pesaro) is a painting by the late Italian Renaissance master Titian, commissioned by Jacopo Pesaro, whose family acquired in 1518 the chapel in the Frari Basilica in Venice for which the work was painted, and where it remains today.
The Madonna of the Rabbit (French: Vierge au lapin) is an oil painting by Titian, dated to 1530 and now held in the Louvre in Paris. It is signed "Ticianus f." and is named after the white rabbit held in Mary's left hand. The rabbit is a symbol of fertility and – due to its whiteness – of Mary's purity and the mystery of the Incarnation ...
The Aldobrandini Madonna (also known as The Virgin and Child with the Infant Saint John and a Female Saint or Donor or The Virgin and Child with the Infant Saint John and Saint Catherine) is an oil painting on canvas by Titian, dating to c. 1530.
The Madonna of the Cherries is a 1515 painting by Titian, heavily influenced by the work of Giovanni Bellini. Originally oil on wood, it was later transferred to canvas. During the 17th century it formed part of the collection of Archduke Leopold Wilhelm, where it was copied by David Teniers. [1] It is now in the Kunsthistorisches Museum, in ...