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The master control section is used to adjust the levels of the overall output of the mixer. The master control section on a large live venue or sound recording mixer typically has sub-group faders, master faders, master auxiliary mixing bus level controls and auxiliary return level controls. On most mixers, the master control is a fader.
In 1961, the MCP was the first OS written exclusively in a high-level language (HLL). The Burroughs Large System (B5000 [2] and successors) were unique in that they were designed with the expectation that all software, including system software, would be written in an HLL rather than in assembly language, which was a unique and innovative approach in 1961.
For instance, when Barbra Streisand toured in 2006 and 2007, the audio production crew used three people to run three mixing consoles: one to mix strings, one to mix brass, reeds and percussion, and one under main engineer Bruce Jackson's control out in the audience, containing Streisand's microphone inputs and stems from the other two consoles ...
The A. C. Gilbert Company was an American toy company, once one of the largest in the world. Gilbert originated the Erector Set, which is a construction toy similar to Meccano in the rest of the world, and made chemistry sets, microscope kits, and a line of inexpensive reflector telescopes.
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The master output was attenuated at the rate of 3 dB for every doubling of NOM. [21] This master output reduction was the solution used by Yamaha Pro Audio two decades later in their DME series of digital signal processing (DSP) products, incorporating an automixer function which was otherwise an 8- or 16-channel noise gate. [22]
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In fact, many of the digital mixer's functions are easier to operate from a computer screen than the actual mixing console. Digidesign's Venue Profile mixer on location at a corporate event. This mixer allows plugins from third-party vendors. Another advantage of DMCs is the abundance of control features that it provides for each input channel.