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"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...
Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning ...
"Birches" is a poem by American poet Robert Frost. First published in the August 1915 issue of The Atlantic Monthly together with "The Road Not Taken" and "The Sound of Trees" as "A Group of Poems". It was included in Frost's third collection of poetry Mountain Interval, which was published in 1916.
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Thomas Miller (31 August 1807 – 24 October 1874) was an English poet and novelist who explored rural subjects. He was one of the most prolific English working-class writers of the 19th century and produced in all over 45 volumes, [1] including some "penny dreadfuls" on urban crime.
As a wood-engraver and artist he designed the covers for poetry editions of Yeats and others, as well as illustrating books for the Vale Press of Charles Ricketts. [ 3 ] [ 4 ] [ 5 ] He was a prolific poet and his subjects included morality, art and the spirit writing in a 'severely classical tone', according to poet/critic Yvor Winters . [ 3 ]
The Spirit Level is a 1996 poetry collection written by Seamus Heaney, who received the 1995 Nobel Prize in Literature. It won the poetry prize for the 1996 Whitbread Awards. [1] Heaney has been recorded reading this collection on the Seamus Heaney Collected Poems album.
The 1793 two volume Edinburgh Edition was published, much enlarged and for the first time containing the poem Tam o' Shanter. [11] The poem had already appeared in The Edinburgh Herald, 18 March 1791; the Edinburgh Magazine, March 1791 and in the second volume of Francis Grose's Antiquities of Scotland of 1791 for which it was originally written. [8]