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When the technique is used for wall glazing, the entire surface is covered, often showing traces of texture (French brush, parchment, striae, rag rolling). Either oil-based or water-based materials are used for glazing walls, depending upon the desired effect. Kerosene or linseed oil may be used to extend the "open" or working time of oil-based ...
Rag painting or ragging is a glazing technique using twisted or bunched up rags to create a textural pattern. Sponging is a free-form finish achieved by applying glaze to the wall by dabbing a sea sponge, in various shapes to achieve either simple design (resembling the wall papers) and more sophisticated ones.
Ragging can be done as a negative or positive technique. The former involves rolling glaze over the entire surface, and removing it with clean rags to reveal the underlying paint color in a pleasing textural pattern. The latter is accomplished by applying glaze directly to the wall with a rag, and creates a similar pattern.
Sgraffito on walls has been used in Europe since classical times. It was popularized in Italy in the 15th and 16th centuries [2] and can be found in African art. In combination with ornamental decoration, these techniques formed an alternative to the prevailing painting of walls.
Strié is a popular form of faux painting using glaze and paint brushes to create a soft natural striped texture. Example of the strie faux painting technique over raised stencil. Strié is a negative glaze technique. The glaze is generally rolled over the entire surface, and then removed with a tool such as a brush. [1]
A restored gesso panel representing St. Martin of Tours, from St. Michael and All Angels Church, Lyndhurst, Hampshire. Gesso (Italian pronunciation:; 'chalk', from the Latin: gypsum, from Greek: γύψος), also known as "glue gesso" or "Italian gesso", [1] is a white paint mixture used to coat rigid surfaces such as wooden painting panels or masonite as a permanent absorbent primer substrate ...