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The usual frame size of 35mm still cameras is 24×36 mm, however half-frame cameras typical use an image area of 18×24 mm. One net result of this is that a roll of film can typically contain twice the number of exposures as in a full frame 35mm camera (that is, a roll that is nominally 36 exposures allows 72 in the half-frame format).
The Ducati Sogno ("dream") was a half-frame 35 mm rangefinder camera made by Ducati in the 1950s [2] [3] at its Milan factory. [4] The Sogno has been called a "miniature Leica" referring to its size and build quality; [4] it is considerably smaller than a Leica III.
These are also the only two SLRs that ever offered a choice of full- or half-frame exposures, switched by a lever on top of the camera. The frame size can be changed between 24×36 landscape and 18×24 portrait in mid-roll. Autorex is the name for the domestic Japanese market. In Germany the camera was also sold as Revue Auto-Reflex.
This produced 24 half-frame pairs on a 24-exposure roll. The result was an ideal camera for those satisfied with half-frame format slides. David Burder came up with more radical modifications. One, the original Burdlo, featured a modified lens board with two lenses but essentially the same film advance to take full-frame stereo pictures.
The Diana Mini Camera is a plastic box camera that utilizes 35mm film, and is a part of a long line of lomographic cameras known for taking photos vibrant in color with deep saturation and vignettes shot through a plastic lens. [2] It is capable of taking 72 exposures per roll of film in "half-frame" mode and 36 exposures in "square" mode.
The Olympus Pen F, Pen FT and Pen FV are very similar half-frame 35 mm single-lens reflex (SLR) cameras with interchangeable lenses produced by Olympus of Japan between 1963-1966 (Pen F), 1966-1972 (Pen FT) and 1967-1970 (Pen FV). The original Pen F has a double-stroke film advance and a distinctive logo rendered in a gothic font.