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400 Series Receiver, FM only, 7868 outputs, similar to model 500, but with fewer features; X-1000 Series Integrated Amplifier; X-200 Series Integrated Amplifier; X-100 Series Integrated Amplifier; The Fisher was also used on Fisher's early US made solid-state equipment, such as the model 210 receiver. Fisher FM tuners and receivers often used ...
A monaural receiver, in contrast, only receives a single audio channel that is a combination (sum) of the left and right channels. [1] [2] [3] While AM stereo transmitters and receivers exist, they have not achieved the popularity of FM stereo. Most modern radios are able to receive both AM and FM radio stations, and have a switch to select ...
By the 1940s the superheterodyne AM broadcast receiver was refined into a cheap-to-manufacture design called the "All American Five", because it only used five vacuum tubes: usually a converter (mixer/local oscillator), an IF amplifier, a detector/audio amplifier, audio power amplifier, and a rectifier. This design was used for virtually all ...
The first 2.1 audio system from Bose was the "Lifestyle 10", which was released in 1990. The Lifestyle 10 included a single-disk CD player, an AM/FM radio and "Zone 2" RCA outputs which could be configured to output a different source to the primary speakers. A 6-disk magazine-style CD changer was introduced in 1996.
Marantz 2050L AM/FM stereo tuner (USA; 1978-1980) [1]. In electronics and radio, a tuner is a type of receiver subsystem that receives RF transmissions, such as AM or FM broadcasts, and converts the selected carrier frequency into a form suitable for further processing or output, such as to an amplifier or loudspeaker.
A schematic of a simple superhet broadcast FM receiver. Note that there is no AGC loop, but simply uses a high-gain IF amplifier which is intentionally driven into saturation (or limiting). For single conversion superheterodyne AM receivers designed for medium wave (AM broadcast) the IF is commonly 455 kHz.
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