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Washington, D.C. had the country's largest Black community from 1900 to 1920, heavily influencing the development of the Black Renaissance in the area. [3] While the Black Renaissance movement ultimately began in Harlem, Manhattan, New York, with the Harlem Renaissance, the movement ultimately spread to cities across the United States. In ...
The Chitlin' Circuit was a collection of performance venues found throughout the eastern, southern, and upper Midwest areas of the United States. They provided commercial and cultural acceptance for African-American musicians, comedians, and other entertainers following the era of venues run by the "white-owned-and-operated Theatre Owners Booking Association (TOBA)...formed in 1921."
The Lodge's ball in 1869 was recognized as the first drag ball in United States history. The Hamilton Lodge Ball reached the peak of its popularity in the 1920s and early 1930s, as the Harlem Renaissance and Pansy Craze drew wealthy white New Yorkers and celebrities into Harlem nightlife. The Hamilton Lodge Ball drew hundreds of drag performers ...
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
Harlem History Club was a study circle founded in Harlem in the 1930s and based at the Harlem YMCA. [1] Participants included: John Henrik Clarke [1] Willis Nathaniel Huggins [2] John G. Jackson [3] Joel A. Rogers [3] Charles Seifort [3] Richard B. Moore [3] William Leo Hansberry [3] Nnamdi Azikiwe; Kwame Nkrumah
In the late 1920s, Billie Holiday, under her birth name, Eleanora Fagan, sang for tips at small Harlem venues, namely the Nest Club, Pod's and Jerry's, the Yeah Man (1925–1960) [Note 6] at 2350 Seventh Avenue at 138th Street, and Monette's at 148 West 133rd (1926–). Microphones to amplify vocalist were not yet used in Harlem nightclubs.