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Satoru Gojo (Japanese: 五条 悟, Hepburn: Gojō Satoru) is a character from Gege Akutami's manga Jujutsu Kaisen.He was first introduced in Akutami's short series Tokyo Metropolitan Curse Technical School as the mentor of the cursed teenager Yuta Okkotsu at Tokyo Prefectural Jujutsu High School.
Gojo also possesses a Domain Expansion, Unlimited Void (無量空処, Muryōkūsho), which brings the Gojo and his targets inside the Limitless itself, which is an endless void resembling outer space in appearance, with a large black hole, distant galaxies and numerous white patches in the background. Boundless raw information floods into the ...
"Coquette" is a 1928 fox trot jazz standard. It was composed by Johnny Green and Carmen Lombardo , with lyrics by Gus Kahn . [ 1 ] Guy Lombardo had great success with the song in 1928.
Gojo has difficulty designing the outfit due to the series' simple art style. They later meet for the photoshoot only to discover the studio Kitagawa booked is actually a love hotel. Kitagawa sits on top of Gojo to get the desired camera angle for one shot. After taking the picture, Gojo hears a couple in another room having sex.
A remix of the original song, with added instrumentals and again sung by Mayumi Gojo, was made for the series' sequel Futari wa Pretty Cure Max Heart; it was released as a single by Marvelous Entertainment on 25 February 2005 and charted at #60 in the Oricon Singles Chart on 7 March. [6] The single was re-released on 11 May 2011 by Marvelous AQL.
Free Guy (Music from the Motion Picture) is the soundtrack accompanying the songs featured in the film as well as three tracks from the film's original score composed by Christophe Beck. The soundtrack was released digitally by Hollywood Records on August 11, 2021 followed by a vinyl edition that released two days later.
Bow Stud Earrings. The inspiration behind the coquette aesthetic’s pearl obsession: 19th-century Romanticism. Throughout the era, ribbons, intricately braided hairstyles, and pearl jewelry akin ...
Jim from Backseat Mafia said "'Pizza Guy' opens with these gently pulsating analogue synths, as these chords underneath stay static, like a carpet. As it progresses there's more evidence of that classic 80s sound – the wiry electronic sounds, the warm, plopping bassline as it develops into something that brings the funk to the party, almost Prince style in some ways."