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The Vladimir Eleusa icon of the Ever Virgin Mary. The Aeiparthenos (Ever Virgin) title is widely used in Orthodox liturgy, and icons show her with three stars, on her shoulders and forehead, symbolising her threefold virginity. [1] The perpetual virginity of Mary is a Christian doctrine that Mary, the mother of Jesus, was a virgin "before ...
The perpetual virginity of Mary was taught by the ecumenical Second Council of Constantinople in 553, which described her as "ever virgin", and was expressed also, by the Lateran synod of October 649, [56] The doctrine of the Immaculate Conception states that from the first moment of her existence Mary was without original sin. [57]
Schoenstatt emphasizes a strong devotion to the Blessed Virgin Mary, upholding her as a perfect example of love and purity. Schoenstatt seeks to invite the Blessed Virgin (and, hence, her divine Son, Jesus Christ), into the home by establishing a spiritual Covenant of Love with her.
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
Immaculate Heart of Mary. The Immaculate Heart of Mary (Latin: Cor Immaculatum Mariae) is a Catholic devotion which refers to the view of the interior life of Mary, her joys and sorrows, her virtues and hidden perfections, and, above all, her virginal love for God the Father, her maternal love for her son Jesus Christ, and her motherly and compassionate love for all mankind. [1]
A deep devotion to the "Aeiparthenos" (i.e., Ever Virgin) Mary is one of the key themes of Orthodox liturgy and spirituality. Devotion to the Virgin Mary is "taken for granted" in Eastern Orthodoxy. It permeates the entire life of the Church and historically required no academic development as in the Western Church. [33]
The virginal motherhood of Mary stands at the center of Orthodox Mariology, in which the title Ever Virgin is often used. The Orthodox Mariological approach emphasizes the sublime holiness of Mary, her share in redemption and her role as a mediator of grace. [11] [12]
The table below shows whether a scene was the subject of a feast-day in the Western church, and gives the contents of the cycles (described above and below) by: Giotto in the Scrovegni Chapel, a typical Book of hours, [5] the Hours of Catherine of Cleves, [6] the cycle of the "Master of the Louvre Life of the Virgin", [7] Ghirlandajo's Tornabuoni Chapel cycle, and the print cycles of Israhel ...