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John 15 is the fifteenth chapter in the Gospel of John in the New Testament section of the Christian Bible. It is part of what New Testament scholars have called the ' farewell discourse ' of Jesus. It has historically been a source of Christian teaching and Christological debate and reflection, and its images (particularly of Jesus as the vine ...
John 15:1–17 reads in the Douay–Rheims Bible: [15] I am the true vine; and my Father is the husbandman. Every branch in me, that beareth not fruit, he will take away: and every one that beareth fruit, he will purge it, that it may bring forth more fruit. Now you are clean by reason of the word, which I have spoken to you. Abide in me, and I ...
In the case of an image of a saint, the worship would not be latria but rather dulia, while the Blessed Virgin Mary receives hyperdulia. The worship of whatever type, latria, hyperdulia, or dulia, can be considered to go through the icon, image, or statue: "The honor given to an image reaches to the prototype" (St. John Damascene in Summa ³).
The scroll by John's left hand contains the two Latin words "ECCE AGNIUS", a reference to a phrase in the description of Jesus' baptism in the Vulgate translation of John 1:29, Ecce agnus Dei, qui tollit peccata mundi ("Behold the Lamb of God which taketh away the sins of the world").
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In the 16th-century Protestant Reformation, the followers of John Calvin in particular saw images of Christ as idolatrous and enforced their removal. [6] Due to their understanding of the second of the Ten Commandments, most Evangelical Protestants still avoid displaying representations of Jesus in their places of worship. [7] [8]
Several venerated images of Jesus Christ and Saint Joseph have also been granted a pontifical coronation. [ a ] The pontifical decree of canonical coronation Qui Semper granted for the "Virgin of Hope of Triana" in Spain , legally imposing the venerated Marian image the Pontifical right to wear a crown by Pope John Paul II on 7 April 1983.
St John Altarpiece, c. 1479, oil on oak panel, 173.6 × 173.7 cm (central panel), 176 × 78.9 cm (each wing), Memlingmuseum, Sint-Janshospitaal, Bruges. The St John Altarpiece (sometimes the Triptych of the two Saints John or the Triptych of St John the Baptist and St John the Evangelist) is a large oil-on-oak hinged-triptych altarpiece completed around 1479 by the Early Netherlandish master ...