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The lining of paintings is a process of conservation science and art restoration used to strengthen, flatten or consolidate oil or tempera paintings on canvas by attaching a new support to the back of the existing one. The process is sometimes referred to as relining.
Traditional oil painting techniques often begin with the artist sketching the subject onto the canvas with charcoal or thinned paint. Oil paint is usually mixed with linseed oil, artist grade mineral spirits, or other solvents to make the paint thinner, faster or slower drying. (Because the solvents thin the oil in the paint, they can also be ...
The painting is brighter, with less focus on blue tones, than the larger version. X-ray and infrared studies of this version of The Card Players have shown layers of "speculative" graphite underdrawing , as well as heavy layers of worked oil paint, possibly suggesting it was the preliminary of Cézanne's two largest versions of the series ...
The Blue Room (La chambre bleue) is a 1923 painting by French artist Suzanne Valadon. One of her most recognizable works, it has been called a radical subversion of representation of women in art. [1] Like many of Valadon's later works, it uses strong colors and emphasizes decorative backgrounds and patterned materials. [2]
Still Life: Vase with Pink Roses (1890) is an oil painting by Van Gogh which makes extensive use of the impasto technique. Impasto is a technique used in painting, where paint is laid on an area of the surface thickly, [1] usually thick enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas.
The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...