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The first digital rangefinder camera commercially marketed was the Epson R-D1 (released in 2004), followed by the Leica M8 in 2006. [16] They were some of the first digital lens-interchangeable cameras without a reflex mirror, but they are not considered mirrorless cameras because they did not use an electronic viewfinder for live preview, but, rather, an optical viewfinder. [16]
Cross-section view of an SLR system, one of several systems by which reflex cameras are able to operate: 1: Front-mount lens (four-element Tessar design) 2: Reflex mirror at 45-degree angle 3: Focal plane shutter 4: Film or sensor 5: Focusing screen 6: Condenser lens 7: Optical glass pentaprism (or pentamirror) 8: Eyepiece (can have diopter correction ability)
The mirror box also prevents lenses with deeply recessed rear elements from being mounted close to the film or sensor unless the camera has a mirror lockup feature; this means that simple designs for wide angle lenses cannot be used. Instead, larger and more complex retrofocus designs are required.
A pentaprism. A perspective drawing showing a roof pentaprism commonly used in a single lens reflex camera (SLR). The image is flipped laterally by the prism. A pentaprism is a five-sided reflecting prism used to deviate a beam of light by a constant 90°, even if the entry beam is not at 90° to the prism.
A pentamirror is an optical device used in the viewfinder systems of various single-lens reflex cameras instead of the pentaprism. It is used to reverse again the laterally reversed image coming from the reflex mirror. [1] Instead of the solid block of glass of the prism in pentaprism system, here 3 mirrors are used to perform the same task.
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The Schmidt camera is a wide-field photographic telescope, with the corrector plate at the center of curvature of the primary mirror, producing an image at a focus inside the tube assembly at the prime focus where a curved film plate or detector is mounted. The relatively thin and lightweight corrector allows Schmidt cameras to be constructed ...
Many large format cameras present the image of the scene being photographed as a flipped image through their viewfinders. Some photographers regard this as a beneficial feature, as the unfamiliarity of the format allows them to compose the elements of the picture properly without being distracted by the actual contents of the scene.