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Different coloured haloes have specific meanings: orange for monks, green for the Buddha and other more elevated beings, [12] and commonly figures have both a halo for the head, and another circular one for the body, the two often intersecting somewhere around the head or neck. Thin lines of gold often radiate outwards or inwards from the rim ...
The Crown of Immortality, held by the allegorical figure Eterna (Eternity) on the Swedish House of Knights fresco by David Klöcker Ehrenstrahl. The Crown of Immortality is a literary and religious metaphor traditionally represented in art first as a laurel wreath and later as a symbolic circle of stars (often a crown, tiara, halo or aureola).
Not even the parallelismus membrorum is an absolutely certain indication of ancient Hebrew poetry. This "parallelism" occurs in the portions of the Hebrew Bible that are at the same time marked frequently by the so-called dialectus poetica; it consists in a remarkable correspondence in the ideas expressed in two successive units (hemistiches, verses, strophes, or larger units); for example ...
John the Evangelist, the author of the fourth gospel account, is symbolized by an eagle, often with a halo, an animal may have originally been seen as the king of the birds. The eagle is a figure of the sky, and believed by Christian scholars to be able to look straight into the sun. [ 1 ]
What Does the Bible Say About Hawks? Dubois also notes the hawk's significance in biblical texts. "From a Biblical perspective, a hawk is a symbol of divine guidance and that we are being watched ...
The keys of heaven or keys of Saint Peter are seen as a symbol of papal authority and are seen on papal coats of arms (those of individual popes) and those of the Holy See and Vatican City State: "Behold he [Peter] received the keys of the kingdom of heaven, the power of binding and loosing is committed to him, the care of the whole Church and ...
The nimbus in Christian art first appeared in the 5th century, but practically the same motif was known from several centuries earlier, in pre-Christian Hellenistic art. It is found in some Persian representations of kings and gods, and appears on coins of the Kushan kings Kanishka, Huvishka and Vasudeva, as well as on most representations of the Buddha in Greco-Buddhist art from the 1st ...
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