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The digital cinema IMAX projection system, debuted in 2008, is designed for use with shorter 1.90:1 aspect ratio screens. The system uses two 2K projectors that can present either 2D or 3D content in DCI or IMAX Digital Format (IDF; which in itself is a superset of DCI).
The Academy Film Archive houses the Digital Cinema Initiatives, LLC Collection, which includes film and digital elements from DCI's Standard Evaluation Material (StEM), a 12-minute production shot on 35mm and 65mm film, created for vendors and standards organizations to test and evaluate image compression and digital projection technologies.
Alone amongst the manufacturers of DCI-compliant cinema projectors Sony decided to develop its own technology rather than use TI's DLP technology. SXRD (Silicon X-tal (Crystal) Reflective Display) projectors have only ever been manufactured in 4K form and, until the launch of the 4K DLP chip by TI, Sony SXRD projectors were the only 4K DCI ...
A rendering of the new Jane & John Justin Foundation Omni Theater, replacing an IMAX projector with 8K digital LED panels on the theater’s dome. The theater on Montgomery Street, built in 1983 ...
To mark the anniversary, The Independent went behind the scenes to watch the film's reel being loaded into the projector. Watch Interstellar’s 11-mile-long IMAX 70mm print loaded into projector ...
Created by the Digital Cinema Initiative, DCI-P3 is designed for viewing in a fully darkened theater environment. The projection system uses a simple 2.6 gamma curve, the nominal white luminance is 48 cd/m 2 (14ftL), and the white point is based on a projector with a xenon bulb, for a correlated color temperature (CCT) of ~6300 K.