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The poem is written in iambic tetrameter in the Rubaiyat stanza created by Edward FitzGerald, who adopted the style from Hakim Omar Khayyam, the 12th-century Persian poet and mathematician. Each verse (save the last) follows an AABA rhyming scheme , with the following verse's A line rhyming with that verse's B line, which is a chain rhyme ...
For example, it discovered the synchronicity of sound between certain words that remind the theme of reconciliation while reading it. Listening to the repetitive sound of the letter "K" in words like blueblack , cracked , ached , weekday , the reader can draw a melodic map of how to read the entire poem, connecting the fire, the season, the ...
"I Wandered Lonely as a Cloud" (also sometimes called "Daffodils" [2]) is a lyric poem by William Wordsworth. [3] It is one of his most popular, and was inspired by an encounter on 15 April 1802 during a walk with his younger sister Dorothy, when they saw a "long belt" of daffodils on the shore of Ullswater in the English Lake District. [4]
"To Autumn" describes, in its three stanzas, three different aspects of the season: its fruitfulness, its labour and its ultimate decline. Through the stanzas there is a progression from early autumn to mid autumn and then to the heralding of winter. Parallel to this, the poem depicts the day turning from morning to afternoon and into dusk.
"All in the golden afternoon" is the preface poem in Lewis Carroll's 1865 book Alice's Adventures in Wonderland.The introductory poem recalls the afternoon that he improvised the story about Alice in Wonderland while on a boat trip from Oxford to Godstow, for the benefit of the three Liddell sisters: Lorina Charlotte (the flashing "Prima"), Alice Pleasance (the hoping "Secunda"), and Edith ...
L'après-midi d'un faune (or "The Afternoon of a Faun") is a poem by the French author Stéphane Mallarmé. It describes the sensual experiences of a faun who has just woken up from his afternoon sleep and discusses his encounters with several nymphs during the morning in a dreamlike monologue.
Critic Charles R. Anderson, in Emily Dickinson's Poetry: Stairway of Surprise, claimed it was Dickinson's "finest poem on despair." [ 15 ] Similarly, Inder Nath Kher, in The Landscape of Absence: Emily Dickinson’s Poetry , lauds it as one of Emily Dickinson's best poems and a well-balanced expression of absence and presence.
The simile "quiet as a nun / Breathless with adoration" is often cited as an example of how a poet achieves effects. On the one hand "breathless" reinforces the placid evening scene Wordsworth is describing; on the other hand it suggests tremulous excitement, preparing the reader for the ensuing image of the eternal motion of the sea.