Search results
Results From The WOW.Com Content Network
Garth Cartwright, "Yma Sumac – Peruvian-born singer marketed in the US as an Inca princess", obituary in The Guardian, November 16, 2008. Carolina A Miranda, "On the trail of Yma Sumac: the exotica legend comes from Peru but her career was all Hollywood" in The Los Angeles Times of March 23, 2017. Accessed 2017-04-19.
Discover the best free online games at AOL.com - Play board, card, casino, puzzle and many more online games while chatting with others in real-time.
Discover the best free online games at AOL.com - Play board, card, casino, puzzle and many more online games while chatting with others in real-time.
The film also featured the Peruvian singer Yma Sumac as Kori-Tica. [8] The female lead was to have been played by Viveca Lindfors. However, after the positive response to Nicole Maurey's performance in Little Boy Lost Paramount gave her the role. [9] Thomas Mitchell was signed to play the villain. [10] Studio filming started in October 1953. [11]
Voice of the Xtabay is the first studio album by Peruvian soprano Yma Sumac. It was released in 1950 by Capitol Records. It was produced and composed by Les Baxter, along with Moisés Vivanco and John Rose. Sumac sings on the album, accompanied by ethnic percussion and musical variations influenced by the music of Peru. [2]
The New York Times has used video games as part of its journalistic efforts, among the first publications to do so, [13] contributing to an increase in Internet traffic; [14] In the late 1990s and early 2000s, The New York Times began offering its newspaper online, and along with it the crossword puzzles, allowing readers to solve puzzles on their computers.
Edward William May Jr. [1] (November 10, 1916 – January 22, 2004) was an American composer, arranger and trumpeter. He composed film and television music for The Green Hornet (1966), The Mod Squad (1968), Batman (with Batgirl theme, 1967), [1] and Naked City (1960).
A reference to the new dance style is mentioned in the song "Back to the Hop" (1961) by Danny and the Juniors, and the song was featured in the 1988 film Hairspray.. The song introduced a new dance style, the pony, in which the dancer tries to look like he or she is riding a horse.