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The Ländler (German pronunciation:) is a European folk dance in 3 4 time. Along with the waltz and allemande, the ländler was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries. [2] Despite its association with Germany, the ländler was danced in many European countries.
The "Ländler", as performed in the film The Sound of Music, is not a traditional Ländler, but a choreographed derivative of this Austrian form of folk dance. The "Chicken Dance" is not an Austrian folk dance, nor is it from Austria. The song "Edelweiss" is not an Austrian folk song, and it is not the national anthem of Austria.
In the modern ballroom dance, two versions of Viennese waltz are recognized: International Style and American Style. Today the Viennese waltz is a ballroom and partner dance that is part of the International Standard division of contemporary ballroom dance. The Waltz Series is a New York membership society devoted to preserving the pre-World ...
In folk dance from the Alsace region, waltzes in odd metres such as 5 4, 8 4 and 11 4 are found. In modern bal folk, waltzes in even higher metres are played and danced. Estonian folk dance Labajalavalss (flat of the foot waltz) performed in 3 4 time. [27] Sama'i (also known as usul semai) is a vocal piece of Ottoman Turkish music composed in 6 ...
Man lebt nur einmal! (German pronunciation: [man ˈleːpt nuːɐ̯ ˈʔaɪnmaːl], You Only Live Once!) is a waltz by Johann Strauss II written in 1855. The piece was marked as im Ländlerstyle which in other words means "in the same style as the Ländler", which is an Austrian folk dance.
Landler may refer to: Transylvanian Landler, a group of Protestants who were deported from Austria to Transylvania in the 18th century; Ländler, a folk dance in the Southern parts of the German speaking territory in Europe and in Slovenia; Jenő Landler (1875–1928), Hungarian Communist leader; Mark Landler (born 1965), American journalist ...
Traditionalist Trachtenvereine around the world still perform the Schuhplattler as a partner dance, with the women spinning across the stage in their dirndls, offering color and graceful movement to counterbalance the leaping and slapping of the plattlerists. The newer dance groups, on the other hand, are often composed entirely of plattlerists ...
Dance is not just a static representation of history, not just a repository of meaning, but a producer of meaning each time it is produced—not just a living mirror of a culture, but a shaping part of culture, a power within the culture: "The power of dance rests in acts of performance by dancers and spectators alike, in the process of making ...