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  2. The Crucifixion of Saint Peter (Michelangelo) - Wikipedia

    en.wikipedia.org/wiki/The_Crucifixion_of_Saint...

    The Crucifixion of Saint Peter is a fresco painting by the Italian Renaissance master Michelangelo Buonarroti (c. 1546–1550). It is housed in the Cappella Paolina , Vatican Palace , in the Vatican City , Rome .

  3. Pietà (Michelangelo) - Wikipedia

    en.wikipedia.org/wiki/Pietà_(Michelangelo)

    The sculpture was made, probably as an altarpiece, for the cardinal's funeral chapel in Old St Peter's. When this was demolished it was preserved, and later took its current location, the first chapel on the north side after the entrance of the new basilica, in the 18th century. [3] It is the only piece Michelangelo ever signed.

  4. St. Peter's Basilica - Wikipedia

    en.wikipedia.org/wiki/St._Peter's_Basilica

    The Papal Basilica of Saint Peter in the Vatican City (Italian: Basilica Papale di San Pietro in Citta di Vaticano), or simply Saint Peter's Basilica (Latin: Basilica Sancti Petri; Italian: Basilica di San Pietro [baˈziːlika di sam ˈpjɛːtro]), is a church of the Italian High Renaissance located in Vatican City, an independent microstate enclaved within the city of Rome, Italy.

  5. How Michelangelo Spent His Final Years Designing St. Peter's ...

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  6. Michelangelo - Wikipedia

    en.wikipedia.org/wiki/Michelangelo

    Pietà, St Peter's Basilica (1498–1499) Michelangelo arrived in Rome on 25 June 1496 [35] at the age of 21. On 4 July of the same year, he began work on a commission for Cardinal Riario, an over-life-size statue of the Roman wine god Bacchus. Upon completion, the work was rejected by the cardinal, and subsequently entered the collection of ...

  7. Cappella Paolina - Wikipedia

    en.wikipedia.org/wiki/Cappella_Paolina

    Michelangelo's two frescoes in the Cappella Paolina, The Conversion of Saul and The Crucifixion of St Peter were painted from 1542 to 1549, the height of his fame, but were widely viewed as disappointments and even failures by their contemporary audience. They did not conform to the compositional conventions of the time and the subject-matter ...