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Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
The firm of James Powell and Sons, also known as Whitefriars Glass, were London-based English glassmakers, leadlighters and stained-glass window manufacturers. As Whitefriars Glass, the company existed from the 18th century, but became well known as a result of the 19th-century Gothic Revival and the demand for stained glass windows.
Traditionally, leadlight windows differ from stained glass windows principally in being less complex in design and employing simpler techniques of manufacture. Stained glass windows, such as those commonly found in churches, usually include design components that have been painted onto the glass and fired in a kiln before assembly.
The colorful film on these windows gives the building a unique appearance while providing privacy and insulation from the sun. Heat rejection films are normally applied to the interior of flat glass windows to reduce the amount of infrared, visible light, and ultraviolet (UV) radiation entering the windows.
Willet Studios was founded in Philadelphia, Pennsylvania in 1898 by the muralist and stained glass artist William Willet and his wife, Anne Lee. In its inception, the studio went by the title of the Willet Stained Glass Company and by 1909, had been incorporated as the Willet Stained Glass and Decorating Company.
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.