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Navajo sandpainting, photogravure by Edward S. Curtis, 1907, Library of Congress. In the sandpainting of southwestern Native Americans (the most famous of which are the Navajo [known as the Diné]), the Medicine Man (or Hatałii) paints loosely upon the ground of a hogan, where the ceremony takes place, or on a buckskin or cloth tarpaulin, by letting the coloured sands flow through his fingers ...
Prints out of the Fifty-three Stations of the Tōkaidō as Potted Landscapes depicting Bonkei, by Utagawa Yoshishige (1848). A bonkei (盆景, Japanese for "tray landscape") [1]: 15–19 is a temporary or permanent three-dimensional depiction of a landscape in miniature, portrayed using mainly dry materials like rock, papier-mâché or cement mixtures, and sand in a shallow tray.
Sand art is the practice of modelling sand into an artistic form, such as sand brushing, sand sculpting, sand painting, or creating sand bottles. A sandcastle is a type of sand sculpture resembling a miniature building, often a castle. The drip castle variation uses wet sand that is dribbled down to form organic shapes before the sands dries.
A pounce pot (or sprinkler) at the London Science Museum. Pounce [a] or sand [b] is a fine powder, most often made from powdered cuttlefish bone or sandarac resin, that was used both to dry ink and to sprinkle on a rough writing surface to make it smooth enough for writing.
Sand bottle by Andrew Clemens, 1879. To create his art, he inserted the presorted grains of sand into small glass drug bottles using homemade tools formed out of hickory sticks, florists wire and fishing hooks. [4] His process utilized no glue and pressure from the other sand grains alone held the artwork together.
Articles related to the decorative arts, arts or crafts whose object is the design and manufacture of objects that are both beautiful and functional. It includes most of the arts making objects for the interiors of buildings, and interior design, but not usually architecture.