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Many renditions of "One for My Baby (and One More for the Road)" have been performed. The following is a list of notable/well-known versions that have been recorded thus far: Fred Astaire (1943) – 4:59 – Available on Somewhere Over the Rainbow: The Golden Age of Hollywood Musicals and Hollywood's Best: The 40s
Joe Pass (born Joseph Anthony Jacobi Passalacqua; January 13, 1929 – May 23, 1994) was an American jazz guitarist. [1] [2] Although Pass collaborated with pianist Oscar Peterson and vocalist Ella Fitzgerald, his status as one of the most notable jazz guitarists of the 20th century is generally attributed to his work on his solo albums, such as Virtuoso.
Writing for Allmusic, music critic Ken Dryden wrote of the album "Two Pass originals are lengthy blues vehicles with plenty of solo space for all. "I Remember You" is an unlikely choice that developed from Wiggins' jamming in the studio; the ballad is a relaxing detour from the blues that dominate the CD.
Regarding Meditation, Jim Ferguson wrote (in JazzTimes): "In Pass' hands, no tune seemed to elude performance, and he tackled everything--from bebop numbers to waltzes to standards to Latin pieces--with astonishing ease and effectiveness, something that is amply evident throughout this set...highlights include a pensive rubato treatment of "Shadow Waltz," a slowly grooving "Mood Indigo" and a ...
One More for the Road may refer to: One More for the Road (short story collection), a 2002 collection of short stories written by Ray Bradbury; One More for the Road, a 1986 album by Charles Brown; One More for the Road, a 2017 album by Curtis Stigers
Two for the Road is an album by jazz guitarists Herb Ellis and Joe Pass that was released in 1974. It was the third and last album that they recorded together. It was the third and last album that they recorded together.
Buddy Bolden, one of the earliest jazz musicians, played in a band in 1889 that was led by guitarist Charlie Galloway. King Oliver, another important early figure, belonged to a band in 1910 that was led by guitarist Louis Keppard, brother of Freddie Keppard. [3] Although jazz guitar existed during these years, banjo was a more popular instrument.
He pioneered the guitar solo on the 1927 track "6/88 Glide", and on many of his early recordings he played 12-string guitar solos in a style that influenced such future jazz guitarists as George Barnes, Charlie Christian and Django Reinhardt giving the instrument new meaning as a jazz voice.