Search results
Results From The WOW.Com Content Network
The Pintados Festival is a cultural-religious celebration in Tacloban, Philippines, based on the body-painting traditions of the ancient tattooed "pintados" warriors. [1] In 1986, the Pintados Foundation, Inc. was formed by the people of Tacloban to organize this festival in honor of Señor Santo Niño . [ 2 ]
Pahiyas Festival (Lucban, Quezon) - A century-old cultural festival held every May 15. The highlight of the festival is a parade of colorful decorated carabao carts. San Isidro Labrador Festival (Angono, Rizal) - A religious festival held on May 15 honoring the town's patron saint, St. Isidore the Laborer. The highlight of the festival is a ...
The origin of most early festivals, locally known as "fiestas", are rooted in Christianity, dating back to the Spanish colonial period when the many communities (such as barrios and towns) of the predominantly Catholic Philippines almost always had a patron saint assigned to each of them.
Barong tagalog during the Early Spanish colonial period1590's in Boxer Codex. When Humabon's queen went to hear mass during Magellan's visit, she was preceded by three girls carrying one of her hats. A headdress from Cebu with a deep crown, used by both sexes for travel on foot or by boat, was called sarok, which actually meant to go for water. [3]
Pahiyas is held every May 15 to honor St. Isidore the Laborer, the patron saint of farmers and good harvest. A 6:00 AM Mass at the church marks the start of the colorful Pahiyas Festival every May 15; at 7:00 AM, a procession leaves the church carrying the images of San Isidro Labrador and Beata María de la Cabeza on a route around the town.
Formed out of the male-dominated music scenes of jam music (in the case of Bonnaroo), late-’90s indie rock (Coachella), and early ’90s alternative and grunge (Lollapalooza), these festivals tend to celebrate diversity while dismissing the most popular pop acts — the ones who tend to dominate the charts and who tend so often to be female ...
Julio Iglesias, in particular, achieved unprecedented success as the best-selling male Latin artist of all time, illustrating the enduring impact of Spanish pop on the global music landscape. [1] In Spain itself, the 1990s were characterized by a vibrant underground music scene that thrived in major cities like Madrid and Barcelona.
Spanish was an official language of the country until immediately after the People Power Revolution in February 1986 and the subsequent ratification of the 1987 Constitution. The new charter dropped Spanish as an official language and today it is very rare to find a native Spanish speaker, less than 0.1% of the population.