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The pater familias, also written as paterfamilias (pl.: patres familias), [1] was the head of a Roman family. [2] The pater familias was the oldest living male in a household, and could legally exercise autocratic authority over his extended family.
Ara Pacis showing the imperial family of Augustus Gold glass portrait of husband and wife (Biblioteca Apostolica Vaticana, Museo Sacro). The ancient Roman family was a complex social structure, based mainly on the nuclear family, but also included various combinations of other members, such as extended family members, household slaves, and freed slaves.
Roman fresco from the Tomb of Esquilino, c. 300-280 B.C. As with the other arts, the art of painting in Ancient Rome was indebted to its Greek antecedents. In archaic times, when Rome was still under Etruscan influence, they shared a linear style learned from the Ionian Greeks of the Archaic period, showing scenes from Greek mythology, daily life, funeral games, banquet scenes with musicians ...
Foursomes also appear in Roman art, typically with two men and two women, sometimes in same-sex pairings. [63] Roman attitudes toward male nudity differ from those of the ancient Greeks, who regarded idealized portrayals of the nude male. The wearing of the toga marked a Roman man as a free citizen. [64]
Roman women could own, inherit, and control property as citizens, and therefore could exercise prerogatives of the paterfamilias pertaining to ownership and inheritance. [2] They played an increasingly significant role in succession and the inheritance of property from the 2nd century BC through the 2nd century AD, [ 3 ] but as an instrument ...
Buried and unseen for nearly 2,000 years, a series of striking paintings showing Helen of Troy and other Greek heroes has been uncovered in the ruined Roman town of Pompeii.
The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work.Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, [1] although they were not considered as such at the time.
Patronage (clientela) was the distinctive relationship in ancient Roman society between the patronus ('patron') and their cliens ('client'). Apart from the patron-client relationship between individuals, there were also client kingdoms and tribes, whose rulers were in a subordinate relationship to the Roman state.