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ITC Kabel. Victor Caruso's 1975 adaptation for phototypesetting was created for the International Typeface Corporation, licensing the design rights from Stempel.It follows the standard ITC approach of a dramatically increased x-height accompanied by a unified set of weights from Book to Ultra, for instance retaining the angled-terminal motif into the bold weights.
ITC Avant Garde Gothic is a geometric sans serif font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, and then he and Tom Carnase, a partner in Lubalin's design firm, worked together to transform the idea into a full-fledged typeface.
Conductor (2016–18) - a display family inspired by Bulgarian lottery tickets, designed with Nina Stössinger. [ 44 ] Empirica (1994–2018) - display serif inspired by Roman square capitals and French "old-style" or "Elzevir" typefaces of the nineteenth century, designed with Nina Stössinger .
In metal typesetting, a font (American English) or fount (Commonwealth English) is a particular size, weight and style of a typeface, defined as the set of fonts that share an overall design. For instance, the typeface Bauer Bodoni (shown in the figure) includes fonts " Roman " (or "regular"), " bold " and " italic "; each of these exists in a ...
Popular typefaces sold by House Industries include Neutraface, a geometric sans-serif, Eames Century Modern, inspired by the design work of Ray and Charles Eames, [2] and Chalet, a set of designs inspired by common sans-serifs such as Avant Garde Grotesque, Helvetica and its adaptations from the 1960s to the 1990s, and a collection of revivals ...
Designer: American Type Founders staff : OCR-B [26] Class: Neo-grotesque . Operator Mono: Overpass Mono [27] Oxygen Mono [28] PragmataPro [29] Prestige Elite [30] ProFont [31] PT Mono [32] Recursive Mono: Roboto Mono [33] SF Mono: Source Code Pro [34] Spleen [35] Terminus Class: Spurless : Tex Gyre Cursor: Ubuntu Mono [36] Victor Mono: Wumpus ...
Contrary to their current perception, in its early years, the Bauhaus school printed serif art nouveau typefaces. After some years of design work at the school, Herbert Bayer and Joost Schmidt created the more recognizable proposals—sans-serif geometric letterings, with decorative elements of the font removed for a crisp industrial style.
A decade after Microgramma, Novarese resolved this limitation with his design of Eurostile, which added lowercase letters, a bold condensed variant, and an ultra narrow design he called Eurostile Compact, for a total of seven fonts. Eurostile is a popular font, particularly suitable for headings and signs.