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Secrétaire à abattant by Jean-François Leleu, Paris, ca 1770 (Musée Nissim de Camondo, Paris). French furniture comprises both the most sophisticated furniture made in Paris for king and court, aristocrats and rich upper bourgeoisie, on the one hand, and French provincial furniture made in the provincial cities and towns many of which, like Lyon and Liège, retained cultural identities ...
The furniture of the Louis XV period (1715–1774) is characterized by curved forms, lightness, comfort and asymmetry; it replaced the more formal, boxlike and massive furniture of the Louis XIV style. It employed marquetry, using inlays of exotic woods of different colors, as well as ivory and mother of pearl. The style had three distinct periods.
By 1932 nearly one in three homes in America had French Provincial design elements.The style fell out of favor in the 1930s, [6] but had a resurgence in the 1960s. [1] In the United States architect Frank J. Forster promoted the style. He was recognized by his peers as a master of French provincial architecture in 1927, 1928, and 1929. [6]
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Louis XVI furniture is characterized by elegance and neoclassicism, a return to ancient Greek and Roman models. Much of it was designed and made for Queen Marie Antoinette for the new apartments she created in the Palace of Versailles , Palace of Fontainebleau , the Tuileries Palace , and other royal residences.
The cabriole leg is the "most recognizable element" of Queen Anne furniture. [12] [6] Cabriole legs were influenced by the designs of the French cabinetmaker André-Charles Boulle [13] and the Rococo style from the French court of Louis XV. [14]