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Kulintang (Indonesian: kolintang, [13] Malay: kulintangan [14]) is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums.
The agung. The left gong is the pangandungan, used for basic beats.The right gong is the panentekan, which complements the pangandungan.. The agung is a large, heavy, wide-rimmed gong shaped like a kettle gong. of the agung produces a bass sound in the kulintang orchestra and weighs between 13 and 16 pounds, but it is possible to find agungs weigh as low as 5 pounds or as high as 20 or 30 ...
Kolintang is a traditional Minahasan percussion instrument from North Sulawesi, Indonesia, consisting of wooden blades arranged in a row and mounted on a wooden tub. [1] ...
Gambang kromong orchestral instruments consists of: gambang kayu (a xylophone-like instrument), kromong (a set of 5 toned bonang), two Chinese rebab-like instruments called ohyan and gihyan with its resonator made out of a small coconut shell, a diatonic pitched flute that is blown crosswise, kenong and gendang drums.
Indonesia is a country with many different tribes and ethnic groups, and its music is also very diverse, coming in hundreds of different forms and styles.Every region has its own culture and art, and as a result traditional music from area to area also uniquely differs from one another.
"Melangkah Di Atas Awan" was written by Eddy D. Iskandar, with Dwiki Dharmawan participating in the production, composition and arrangement. Musically, it is primarily a pop song composed and recorded in the key of G major, with a time signature of 4 4 and a tempo of 85 beats per minute. [6]
The bonang is an Indonesian musical instrument used in the Javanese gamelan. [1] It is a collection of small gongs (sometimes called "kettles" or "pots") placed horizontally onto strings in a wooden frame (rancak), either one or two rows wide.
Gamelan semar pegulingan is an old variety of the Balinese gamelan.Dating back from around the 17th century, the style is sweeter and more reserved than the more popular and progressive Gamelan Gong Kebyar.