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1962–63, Copper 107×800×55 cm, commissioned by P&O Orient Lines of Australia P/L in 1961, 55 Hunter Street, Sydney. ... Lintel sculpture, copper bas-relief ...
A Bas-relief: Virgin of Pity (18th century) [22] A Group Sculpture: Virgin of Pity (15th century) [23] 2 Chandeliers (18th century) [24] A Tabernacle (18th century) [25] A Statue: Christ on the Cross (15th century) [26] A Processional Statue: Virgin and child (18th century) [27] The Church of Unjat is registered as an historical monument. [28]
The Thathera (literally meaning 'the beater', [1] also known as Thathrias [2]) is a Hindu and Sikh artisan caste in India, whose traditional occupation is the making of brass and copper utensils. [ citation needed ] In 2014, the craft of the Thathera community of Jandiala Guru was included in the UNESCO Intangible Cultural Heritage Lists .
The Great Hypostyle Hall, commissioned by Sety I (19th Dynasty), consisted of 134 sandstone columns supporting a 20-meter-high ceiling, and covering an acre of land. Sety I decorated most surfaces with intricate bas-relief while his successor, Ramses II added sunken relief work to the walls and columns in the southern side of the Great Hall.
The doors contain ten bas-relief panels, illustrating, like the panels on the base of the Bedford statue, scenes from the Pilgrims Progress. The design of the doors is based on the Gates of Paradise, by Ghiberti in the Battistero di San Giovanni in Florence. The Bunyan doors were executed by Fredrick Thrupp (1812-1895), in copper on bronze.
Limousin workshop evangeliarium book cover is a 13th century evangeliary cover made of embossed copper and decorated in champlevé Limousin enamels with gilt figures in bas-relief fixed to a substituted olive wood tablet. The cover is surrounded by a silver frame with watermark meanders and rosettes and has the measurements of about 32.2x19.5 cm.
The Gniezno Doors (Polish: Drzwi Gnieźnieńskie, Latin: Porta Regia) are a pair of bronze doors placed at the entrance to Gniezno Cathedral in Gniezno, Poland.They are decorated with eighteen bas-relief scenes from the life of St. Adalbert (in Polish, Wojciech), whose remains had been purchased for their weight in gold and brought back to, and enshrined in, the cathedral.
The bas-relief, made of marble on a base of travertine, is quadrangular in shape, with a height of 61 centimetres (24 in), a width of 68 centimetres (27 in) and 23 centimetres (9.1 in) thick. On both faces of the bas-relief are represented, with an excellent artistic workmanship far superior to that of the usual Mithraic sculptures, [ 2 ] the ...