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The word "all" (Ancient Greek: πᾶσα) are found multiple times in the verses 18–20, tying them together: all power/authority, all nations, all things ("that I have commanded you") and all the days ("always"). [2] Dale Allison considers the suggestions of the verse 18 allusion to Daniel 7:13–14 or 2 Chronicles 36:23 improbable. [3]
On 18 January 2010, ABC News reported Trijicon was placing references to verses in the Bible in the serial numbers of sights sold to the United States Armed Forces. [1] The "book chapter:verse" cites were appended to the model designation, and the majority of the cited verses are associated with light in darkness, referencing Trijicon's specialization in illuminated optics and night sights.
A Christ figure, also known as a Christ-Image, is a literary technique that the author uses to draw allusions between their characters and the biblical Jesus.More loosely, the Christ figure is a spiritual or prophetic character who parallels Jesus, or other spiritual or prophetic figures.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
The lion represents Jesus as the Lion of Judah, symbolizing His power, strength, and royalty. This face is often associated with Jesus’ role as the Messiah, the King of Kings, and the one who will judge the world. The lion is also a symbol of courage, bravery, and protection. The Eagle
"All Hail the Power of Jesus' Name" is a Christian hymn. The hymn has been called the "National Anthem of Christendom ". [ 1 ] The lyrics, written by Edward Perronet , first appeared in the November, 1779 issue of the Gospel Magazine , which was edited by the author of " Rock of Ages ", Augustus Toplady .
In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely depends. [1] The redemptive value of the resurrection has been expressed through Christian art, as well as being expressed in theological writings.
Illustration from the Bamberg Apocalypse of the Son of Man among the seven lampstands The Vision of John on Patmos by Julius Schnorr von Carolsfeld (1860). John's vision of the Son of Man, also known as John’s Vision of Christ, is a vision described in the Book of Revelation (Revelation 1:9–20) in which the author, identified as John, sees a person he describes as one "like the Son of Man" ().