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Aeolian harp made by Robert Bloomfield. An Aeolian harp (also wind harp) is a musical instrument that is played by the wind. Named after Aeolus, the ancient Greek god of the wind, the traditional Aeolian harp is essentially a wooden box including a sounding board, with strings stretched lengthwise across two bridges.
Aeolus is an aeolian harp, a stringed instrument that produces music using the wind. [6] Nylon strings are stretched along the tubes, which amplify the strings' sounds. [11] [12] During times that there is no wind, tubes with no strings play low tones in the aeolian mode.
Aeolian, an album by German post-metal band The Ocean Collective; Aeolian Company (1887–1985), a maker of organs, pianos, sheet music, and phonographs; Aeolian Hall (disambiguation), any one of a number of concert halls of that name; Aeolian harp, a harp that is played by the wind; Aeolian mode, a musical mode, the natural minor key
Cycladic culture harp player, 2800–2700 B.C. Harps probably evolved from the most ancient type of stringed instrument, the musical bow.In its simplest version, the sound body of the bowed harp and its neck, which grows out as an extension, form a continuous bow similar to an up-bowed bow, with the strings connecting the ends of the bow.
Greek musical instruments were grouped under the general term "all developments from the original construction of a tortoise shell with two branching horns, having also a cross piece to which the stringser from an original three to ten or even more in the later period, like the Byzantine era". Greek musical instruments can be classified into ...
Epigonion Greek harp, circa 430 B.C. This style of harp is not named in artworks and has also been called trigonon by modern researchers. The epigonion (Greek: ἐπιγόνιον) was an ancient stringed instrument, possibly a Greek harp mentioned in Athenaeus (183 AD), probably a psaltery.
In Greek mythology, Aeolus or Aiolos [1] (/ ˈ iː ə l ə s /; Ancient Greek: Αἴολος [ǎi̯.o.los], Greek: ⓘ) is a name shared by three mythical characters.These three personages are often difficult to tell apart, and even the ancient mythographers appear to have been perplexed about which Aeolus was which.
The central octave of the ancient Greek system. The earliest Greek scales were organized in tetrachords, which were series of four descending tones, with the top and bottom tones being separated by an interval of a fourth, in modern terms. The sub-intervals of the tetrachord were unequal, with the largest intervals always at the top, and the ...