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Fingerweaving is an art form used mostly to create belts, sashes, straps, and other similar items through a non-loom weaving process. Unlike loom-based weaving, there is no separation between weft and warp strands, with all strands playing both roles.
Tyra Shackleford (born in Ada, Oklahoma) is a Chickasaw textile artist who specializes in various hand woven techniques. Her three most prominent weaving techniques are sprang, fingerweaving, and twinning, which all date back prior to European contact, She has opened her traditional form of art to more conceptual and wearable art.
The Ravenstail weaving technique almost went extinct after 200 years of inactivity. [9] [11] Cheryl Samuel was the first person to replicate Ravenstail weaving for revival purposes, and by the mid-1980s she had obtained permission from several Pacific Northwest indigenous tribes to revive the art to regularly teach classes on the subject. [1]
Ofong is a Tboli woman from Lake Sebu, South Cotabato and is known for the traditional abaca weaving art of T'nalak. [2] Ofong created at least 90 patterns purportedly through the influence of the spirit of abaca, Fu Dalu via dreams.
Weaving in Beauty – how to identify types of Navajo textiles, weaving classes, articles; Navajo Nation Arts & Crafts Enterprise; History of the Navajo Rug, by Navajo Rug Repair Co. Towards an Understanding of Navajo Aesthetics, Kathy M’Closkey Archived 2013-04-05 at the Wayback Machine
After her husband died in 1960, Saeng-da started a weaving group by local women to produce and promote hand-made fabrics. She was named a National Artist in Visual Arts (Weaving) in 1986. [1] Her legacy is continued by the weaving group of Ban Rai Phai Ngam in Chom Thong and the Pa-Da Cotton Textile Museum located there. [2] [3]
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Ruth Faison Shaw (1889–1969) was an American artist, educator who is credited with introducing finger painting into the US as an art education medium. She developed her techniques while working in Rome , Italy, patenting a safe non-toxic paint in 1931.