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This file has an extracted image: My Blue Heaven (1927) sheet music cover.jpg. Licensing This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise.
Music: Public domain Public domain false false The author died in 1928, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 95 years or fewer .
Sheet Music Cover This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise.
Rayleigh scattering causes the blue color of the daytime sky and the reddening of the Sun at sunset. Rayleigh scattering (/ ˈ r eɪ l i / RAY-lee) is the scattering or deflection of light, or other electromagnetic radiation, by particles with a size much smaller than the wavelength of the radiation.
It might seem like a simple question. But the science behind a blue sky isn't that easy. For starters, it involves something called the Rayleigh effect, or Rayleigh scattering. But that same ...
The hymn may have been inspired by Psalm 104, verses 24 and 25: "Oh Lord, how manifold are thy works! in wisdom hast thou made them all: the earth is full of thy riches. So is this great and wide sea, wherein are things creeping innumerable, both small and great beasts". [ 4 ]
"The St. Louis Jesuit Mass" (1973), co-authored during his collaborative years, was the most-used Mass setting in the United States during the 1970s and 1980s. With the implementation of the Roman Missal, Third Edition in 2012, it wasn't easy to revise the original Mass setting text and well-known melody with the new style of the translation ...
[12] On the day "My Blue Heaven" was to be recorded, after takes of the other songs had been completed, to Austin's surprise the musicians packed up and left the studio; Shilkret told Austin they had a conflict, but in a scene documented by H. Allen Smith in his A Short History of Fingers, Austin "grabbed an old guy with a cello and talked him ...