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Women's night caps were usually a long piece of cloth wrapped around the head, or a triangular cloth tied under the chin. [1] Men's nightcaps were traditionally pointed hats with a long top, sometimes with a pom-pom on the end. [1] The long end could be used like a scarf to keep the back of the neck warm. [1]
Simple American bonnet or mobcap, in a portrait by Benjamin Greenleaf, 1805. A mobcap (or mob cap or mob-cap) is a round, gathered or pleated cloth (usually linen) bonnet consisting of a caul to cover the hair, a frilled or ruffled brim, and (often) a ribbon band, worn by married women in the 18th and early 19th centuries, when it was called a "bonnet".
Late Victorian Era Furniture History in England; Victorian Bookmarks; Mostly-Victorian.com - Arts, crafts and interior design articles from Victorian periodicals. "Victorian Furniture Styles". Furniture. Victoria and Albert Museum. Archived from the original on 19 November 2010; The history of wallcoverings and wallpaper
Needlework was an important fact of women's identity during the Victorian age, including embroidery, netting, knitting, crochet, and Berlin wool work. A growing middle class had more leisure time than ever before; printed materials offered homemakers thousands of patterns.
Many knitters today hand knit and donate "chemo caps", soft caps for cancer patients who lose their hair during chemotherapy. Yarn companies offer free knitting patterns for these caps. Penguin sweaters were hand knitted by volunteers for the rehabilitation of penguins contaminated by exposure to oil slicks. The project is now complete. [49]
The silhouette changed once again as the Victorian era drew to a close. The shape was essentially an inverted triangle, with a wide-brimmed hat on top, a full upper body with puffed sleeves, no bustle, and a skirt that narrowed at the ankles [11] (the hobble skirt was a fad shortly after the end of the Victorian era). The enormous wide-brimmed ...
Chaperon is a diminutive of chape, which derives, like the English cap, cape and cope, from the Late Latin cappa, which already could mean cap, cape or hood ().. The tail of the hood, often quite long, was called the tippit [2] or liripipe in English, and liripipe or cornette in French.
His partners in the company were members of the Pre-Raphaelite Brotherhood, a group of painters who rejected the art and design of the Victorian era, and sought to revive earlier themes and techniques of art and craftsmanship. [2] The first wallpaper pattern he designed for his company was the Trellis wallpaper in 1864.