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Hitchcock/Truffaut is a 1966 book by François Truffaut about Alfred Hitchcock, originally released in French as Le Cinéma selon Alfred Hitchcock. [1]First published by Éditions Robert Laffont, it is based on a 1962 dialogue between Hitchcock and Truffaut, [2] in which the two directors spent a week in a room at Universal Studios talking about movies.
Hitchcock/Truffaut received critical acclaim. On Rotten Tomatoes, the film has a 95% score based on 110 reviews, with an average rating of 7.7/10.The site's consensus states: "Essential viewing for cineastes while still offering rich rewards for neophytes, Hitchcock/Truffaut offers an affectionate -- and well-crafted -- tribute to a legend". [6]
He wrote Hitchcock/Truffaut (1966), a book-length interview with his hero Alfred Hitchcock which tied for second on Sight and Sound's list of the greatest books on film. [5] Truffaut paid homage to Hitchcock in The Bride Wore Black (1968), Mississippi Mermaid (1969) and his last film, Confidentially Yours (1981).
The Oxford English Dictionary, however, credits Hitchcock's friend, the Scottish screenwriter Angus MacPhail, as being the true inventor of the term. Hitchcock himself defined the term in a 1962 interview conducted by François Truffaut, published as Hitchcock/Truffaut (Simon and Schuster, 1967). Hitchcock used this plot device extensively.
Hitchcock's recollection of this original ending—in his book-length interview with François Truffaut, published in English as Hitchcock/Truffaut in 1967—is that Lina's letter tells her mother she knows that Johnnie is killing her, but that she loves him too much to care. [3] A musical leitmotif is introduced in Suspicion.
In the book-length interview Hitchcock/Truffaut (1966), in response to fellow filmmaker François Truffaut's assertion that aspects of the remake were by far superior, Hitchcock replied, "Let's say the first version is the work of a talented amateur and the second was made by a professional." [5] [6]
Scroll through the images above to read Alfred Hitchcock's top 10 ruthless pranks. More on AOL.com: Ratings record for AMC's 'Walking Dead' Ariana Grande confirms relationship with Big Sean: 'I ...
Hitchcock told Truffaut that the film was the first of his to be influenced by German Expressionism: "In truth, you might almost say that The Lodger was my first picture." [ 81 ] In a strategy for self-publicity, The Lodger saw him make his first cameo appearance in a film, where he sat in a newsroom.