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A harpsichord concerto is a piece of music for an orchestra with the harpsichord in a solo role (though for another sense, see below). Sometimes these works are played on the modern piano (see piano concerto ).
Two other concertos include solo harpsichord parts: the concerto BWV 1044, which has solo parts for harpsichord, violin and flute, and Brandenburg Concerto No. 5 in D major, with the same scoring. In addition, there is a nine-bar concerto fragment for harpsichord (BWV 1059) which adds an oboe to the strings and continuo.
Like the other harpsichord concertos, BWV 1052 has been widely believed to be a transcription of a lost concerto for another instrument. Beginning with Wilhelm Rust and Philipp Spitta , many scholars suggested that the original melody instrument was the violin, because of the many violinistic figurations in the solo part—string-crossing, open ...
Additionally, Górecki wrote a piano version of the concerto, which is scored for 16 first violins, 14 second violins, 12 violas, 10 cellos, and 8 double basses. Both the harpsichord and the piano version of the concerto are still popular today, with the original harpsichord version being the most sought after. [1] The movement list is as follows:
The concerto is well suited throughout to showing off the qualities of a fine harpsichord and the virtuosity of its player, but especially in the lengthy solo cadenza to the first movement. It seems almost certain that Bach, considered a great organ and harpsichord virtuoso, was the harpsichord soloist at the premiere.
Concert champêtre (French: [kɔ̃sɛʁ ʃɑ̃pɛtʁ], Pastoral Concerto), FP 49, is a harpsichord concerto by Francis Poulenc, [1] which also exists in a version for piano solo with very slight changes in the solo part. It was written in 1927–28 for the harpsichordist Wanda Landowska who said she "adored" playing it as it made her ...
Unlike Bach's other harpsichord concertos, BWV 1055 has no known precursors, either as an instrumental concerto or as a movement with obbligato organ in a cantata. It has generally been accepted that it is a reworking of a lost instrumental concerto, since Donald Francis Tovey first made the suggestion in 1935, when he proposed the oboe d'amore as the melody instrument.
The Harpsichord Concerto in E major, BWV 1053, is a concerto for harpsichord and string orchestra by Johann Sebastian Bach. It is the second of Bach's keyboard concerto composed in 1738, scored for keyboard and baroque string orchestra. The movements were reworkings of parts of two of Bach's church cantatas composed in 1726: the solo obbligato ...