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Open tunings allow one-finger chords to be played with greater consonance than do other tunings, which use equal temperament, at the cost of increasing the dissonance in other chords. The playing of (3 to 5 string) guitar chords is simplified by the class of alternative tunings called regular tunings, in which the musical intervals are the same ...
The shifting of chords is especially simple for the regular tunings that repeat their open strings, in which case chords can be moved vertically: Chords can be moved three strings up (or down) in major-thirds tuning, [3] and chords can be moved two strings up (or down) in augmented-fourths tuning. Regular tunings thus appeal to new guitarists ...
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
Jazz guitarist Carl Kress used a variation of all-fifths tuning—with the bottom four strings in fifths, and the top two strings in thirds, resulting in B ♭ 1 –F 2 –C 3 –G 3 –B 3 –D 4. This facilitated tenor banjo chord shapes on the bottom four strings and plectrum banjo chord shapes on the top four strings.
Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
Ole Kirkeby for 6- and 7-string guitars: Charts of intervals, major, minor, and dominant chords; recommended gauges for strings. Ralph Patt for 6-, 7-, and 8-string guitars: Charts of scales, chords, and chord-progressions; string gauges. Three other jazz-guitar websites: Oberlin, Alexandre (3 October 2012).