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Old Testament believers were held up as examples (or anti-examples, as the case may be, see for example anti-Judaism) of how we should conduct ourselves. On the other side of the debate were the advocates of preaching that was "redemptive-historical" (the term used to translate the Dutch heilshistorisch ).
This parable compares building one's life on the teachings and example of Jesus to a flood-resistant building founded on solid rock. The Parable of the Wise and the Foolish Builders (also known as the House on the Rock), is a parable of Jesus from the Sermon on the Mount in the Gospel of Matthew as well as in the Sermon on the Plain in the Gospel of Luke ().
Dr. Kenneth Boa states that "Parables are extended figures of comparison that often use short stories to teach a truth or answer a question. While the story in a parable is not historical, it is true to life, not a fairy tale. As a form of oral literature, the parable exploits realistic situations but makes effective use of the imagination...
Along with most early Christian interpreters of this parable, [6] some today continue to understand it as an allegory, whereby Jesus Christ is the bridegroom, [2] [5] echoing the Old Testament image of God as the bridegroom in Jeremiah 2:2 and similar passages, [2] and the virgins are the Christians. [7] The awaited event is the Second Coming ...
In almost all cases, the phrases used in the Beatitudes are familiar from an Old Testament context, but in the sermon Jesus gives them new meaning. [12] Together, the Beatitudes present a new set of ideals that focus on love and humility rather than force and mastery; they echo the highest ideals of Jesus's teachings on spirituality and compassion.
Gunkel specialized in Old Testament studies, but other scholars soon adopted and adapted his methods to the study of the New Testament. [10] The essence of form criticism is the identification of the Sitz im Leben, "situation in life", which gave rise to a particular written passage. When form critics discuss oral traditions about Jesus, they ...