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The clave rhythm and clave concept have been used in some modern art music ("classical") compositions. "Rumba Clave" by Cuban percussion virtuoso Roberto Vizcaiño has been performed in recital halls around the world. Another clave-based composition that has "gone global" is the snare drum suite "Cross" by Eugene D. Novotney.
Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas , during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka , as well as the Spanish-based coros de clave .
In the late 1930s and early 1940s, a fusion of bambuco and Afro-Cuban music was developed in Colombia by artists such as Emilio Sierra, Milciades Garavito, and Diógenes Chaves Pinzón, under the name rumba criolla (creole rumba). [19] Rumba criolla is classified into different regional styles such as rumba antioqueña and rumba tolimense. [20]
Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in ...
Franco Luambo is often credited for popularizing and revolutionizing sebene. [1]Sebene, also spelled seben, is an instrumental section commonly played in Congolese rumba. [2] [3] It is usually played towards the end of the song and is the dancing section where the lead and rhythm guitars take the lead in the dance.
Call it soukous, rumba, Zairois, Congo music, or kwassa-kwassa, the pop sound emanating from Congo's capital, Kinshasa has shaped modern African culture more profoundly than any other. Africa produces music genres that are direct derivatives of Congolese Soukous. Some of the African bands sing in Lingala, the main language in the DRC.
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from ...
Like the rumba flamenca, the Galician rumba originated from a fusion of certain Cuban and Spanish elements of style. The characteristics of that new genre are similar to those of the new song-dances that appeared in the Caribbean Basin area during the 19th century, which were the result of a combination of Iberian and African elements.