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My Tam released these singles and extended plays on CD and other formats: "Thoát ly" (Outbreak) (2001) "Cây đàn sinh viên" (The Guitar of Students) (March 2002) including title track, "Quê hương tuổi thơ tôi" (Hometown - My Childhood) and "Tiếng lòng xao động" (Love awakes)
Em Con Be Lam Anh Oi (CD3364) Chuyen Tau Hoang Hon (CD3385) Tam Anh Khong Hon (CD3417) Mua Thu Co Nho (CD3451) Dem Giot Sau Roi (CD3461) Chuyen Tinh Di Vang (CD13738) Go Cua / Gia Sang Mua; Dang Do (CD21585) Nhung Chuyen Tinh Bat Tu; Thúy Nga: (ordered by CD number) Người Mang Tâm Sự (TNCD281) Do Chieu w/ Phuong Diem Hanh (TNCD329)
All the tracks were composed and handled by Vietnamese producers, [clarification needed] including Mỹ Tâm, who produced "Như em dợi anh" (Like I'm Waiting For You). The album title expresses her return to the pop ballad genre with slow-jam and emotional feeling, and has a similar sound to her third album, but with the Korean influence.
Dương Khắc Linh & Phạm Quỳnh Anh 4 Ngô Minh Hằng "Con cò" by Tùng Dương: Trần Thị Vân Anh — — Trần Thị Diệp Nhi — : Episode 7 (31 August) Dương Cầm & Hương Giang 1 Nguyễn Khánh Vy "Quê tôi" by Thùy Chi/ "Mẹ yêu con" by Anh Thơ: Nguyễn Hồng Ngọc Team full : Team full Hoàng Tấn Lộc
In his Vol. 8 album, Tình Ca Hoài Niệm (also known as Tình Ca 50) including love songs from 1954 to 1975, Phố Đêm (Night Town) was also one of the chosen songs in the album, on the cover it was said to be one of Nguyen Tuan Kiet's songs, however the song in the album was another song with same title from songwriter Tam Anh, that song ...
Shortly afterward, Truong Quynh Anh continued to expose that Thanh Thao was trying to get rid of her at some projects. However, Hoang Tuan (Dan Truong's manager) and Nhac Xanh's director denied that it had anything to do with Thanh Thao. Thanh Thao also reconfirmed the incident again and asked Truong Quynh Anh to stop using her name.
In 1925, Nguyen Ai Quoc, with 9 of the most trustworthy members of Tam Tam Xa (the Society of Like Hearts; Chinese: 心心社), established a secret organization, the Communist Youth Corps (Thanh Nien Cong San Doan). The rest of Tam Tam Xa would plan to be absorbed into a larger, public, and mass-oriented organization, i.e., the Vietnamese ...
Numerous artists, such as Bằng Kiều, Hồ Quỳnh Hương, Mỹ Linh, Hồng Nhung, Phương Thanh, Mỹ Tâm, and Đan Trường emerged from Vietnam and started to produce EDM, pop music, R&B, rap, ballad, and other genres. During this period of cultural expansion, a number of foreign artists had worked with the emerging industry (4Men ...