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Jean Baptiste Lully around 1670. This article contains a list of the works of Jean-Baptiste Lully (LWV); also lists of the dance-forms and instruments he frequently was to use. Works by Lully ( Lully-Werke-Verzeichnis )
Jean-Baptiste Lully [a] (28 November [O.S. 18 November] 1632 – 22 March 1687) was a French composer, ... Lully wrote overtures, dances, dance-like songs ...
Lully's Armide at the Palais-Royal Opera House in 1761, watercolor by Gabriel de Saint-Aubin. Armide is an opera in five acts by Jean-Baptiste Lully. The libretto by Philippe Quinault is based on Torquato Tasso's poem La Gerusalemme liberata (Jerusalem Delivered). The work is in the form of a tragédie en musique, a genre invented by Lully and ...
Alceste, ou Le triomphe d'Alcide is a tragédie en musique in a prologue and five acts by Jean-Baptiste Lully. The French-language libretto is by Philippe Quinault, after Euripides' Alcestis. It was first performed on 19 January 1674 at the Théâtre du Palais-Royal by the Paris Opera.
Tragédie en musique (French: [tʁaʒedi ɑ̃ myzik], musical tragedy), also known as tragédie lyrique (French: [tʁaʒedi liʁik], lyric tragedy), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century.
Bellérophon is an opera with music by Jean-Baptiste Lully and a libretto by Thomas Corneille and Bernard le Bovier de Fontenelle first performed by the Opéra at the Théâtre du Palais-Royal in Paris on 31 January 1679. The libretto is based on Hesiod's Theogony. [1] The opera played for nine months and was one of Lully's greatest successes.
Roland (title page) Roland is an opera with music by Jean-Baptiste Lully and a libretto by Philippe Quinault.It was first performed on January 8, 1685, at the Palace of Versailles by the Académie Royale de Musique (Paris Opera) and later, beginning on March 8, 1685, at the company's public theatre in Paris, the Théâtre du Palais-Royal.
Acis et Galatée (Acis and Galatea) is an opera by Jean-Baptiste Lully. Unlike most of his operas, which are designated tragédies en musique , Lully called this work a pastorale-héroïque , because it was on a pastoral theme and had only three acts (plus a prologue) compared to the usual five.