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At the 1991 Winter NAMM Show, Alesis introduced the ADAT digital tape recorder. Alesis created the File Streaming Technology (FST) proprietary disk file system for their ADAT HD24 recorder. [ 6 ] Each ADAT could record 8 tracks of 16-bit audio on an S-VHS videocassette tape, and up to 16 ADATs could be connected together to record 128 tracks of ...
1991: Alesis Digital Audio Tape is a tape format used for simultaneously recording eight tracks of digital audio at once, onto Super VHS magnetic tape – a format similar to that used by consumer VCRs. The product was announced in January 1991 at the NAMM Show. The first ADAT recorders shipped over a year later in February or March 1992. [52]
Under O’Donnell's management, Numark recovered and grew, and he found himself looking for new opportunities. In 2001 O’Donnell acquired Alesis, [7] a company that had established itself in the recording market with affordable effects and later the revolutionary ADAT digital tape recorder, as well as drum machines and synthesizers.
It was in this case connected to external digital audio processing hardware (the "DTR", or Digital Tape Recorder, although it housed just the electronics for the HTD) designed by Soundstream, The S-VHS videocassette mechanism utilized by ADAT -format multi-track digital audio recorders made by Alesis ,
Using the advance money for 1995's The Tyranny of Inaction, Porl King purchased an Alesis ADAT multi-track digital recorder, the use of which substantially changed Rosetta Stone's sound. That album and most subsequent work featured a much more industrial/electronic sound, with extensive use of sampling.
The recording time was one-third of the cassette's nominal playing time, e.g., a 120-minute S-VHS cassette held 40 minutes of eight-track audio. Studer produced the V-Eight (manufactured and sold by Alesis as the M20) [24] and the V-Twenty-Four digital multitrack recorders. These used S-VHS cassettes for 8-track and 24-track digital audio ...