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I'itoi, the Man in the Maze. I'itoi or I'ithi is, in the cosmology of the O'odham peoples of Arizona, the creator and God who resides in a cave below the peak of Baboquivari Mountain, a sacred place within the territory of the Tohono O'odham Nation. O'odham oral history describes I'itoi bringing Hohokam people to this earth from the underworld.
The I'itoi is an indigenous spiritual symbol that signifies the challenging and balancing decisions in one's life that lead us to our ultimate dream state from the product of all of our choices. The ideal is to reach the center of this maze of decisions we make, which is a manifestation of our purpose and dream, and is accepted by the Sun God ...
Other variations include "opposition" and "perversion". The symbol 睽 also means separated, estranged, and stare. Its inner (lower) trigram is ☱ (兌 duì) open = (澤) swamp, and its outer (upper) trigram is ☲ (離 lí) radiance = (火) fire.
Viracocha (also Wiraqocha, Huiracocha; Quechua Wiraqucha) is the great creator deity in the pre-Inca and Inca mythology in the Andes region of South America. According to the myth Viracocha had human appearance [1] and was generally considered as bearded. [2]
Miscellaneous Symbols is a Unicode block (U+2600–U+26FF) containing glyphs representing concepts from a variety of categories: astrological, astronomical, chess, dice, musical notation, political symbols, recycling, religious symbols, trigrams, warning signs, and weather, among others.
Keystone symbols displayed at a military parade in 1899 (the symbols are described as being white, on a blue field, with red letters). In September 1899, a military parade in Philadelphia featured a choir of 3,200 school-children and teachers that were arranged to display three keystone symbols with the letters "GAR" on them (standing for Grand army of the Republic).
In Semantography, Bliss had not provided a systematic set of definitions for his symbols (there was a provisional vocabulary index instead [4] (1965, pp. 827–67)), so McNaughton's team might often interpret a certain symbol in a way that Bliss would later criticize as a "misinterpretation". For example, they might interpret a tomato as a ...
In their cross-cultural study of signs and symbols, Patterns that Connect, Carl Schuster and Edmund Carpenter present various forms of the labyrinth and suggest various possible meanings, including not only a sacred path to the home of a sacred ancestor, but also, perhaps, a representation of the ancestor him/herself: "...many [New World ...