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Ecce Homo. The Ecce Homo (Latin: " Behold the Man") in the Sanctuary of Mercy church in Borja, Spain, is a fresco painted circa 1930 by the Spanish painter Elías García Martínez depicting Jesus crowned with thorns. Both the subject and style are typical of traditional Catholic art.
Mary has been one of the major subjects of Western art for centuries. There is an enormous quantity of Marian art in the Catholic Church, covering both devotional subjects such as the Virgin and Child and a range of narrative subjects from the Life of the Virgin, often arranged in cycles. Most medieval painters, and from the Reformation to ...
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
Guido Reni 's Archangel Michael tramples Satan (c. 1636, in the Capuchin church of Santa Maria della Concezione, Rome). Catholic art is art produced by or for members of the Catholic Church. This includes visual art (iconography), sculpture, decorative arts, applied arts, and architecture. In a broader sense, Catholic music and other art may be ...
Charles Bosseron Chambers. Charles Bosseron Chambers (C. Bosseron Chambers) (1880 - 1964) was a painter, illustrator and teacher. The Reading Eagl e describes Chambers as the " Norman Rockwell of Catholic art" and reports that his paintings have become collectible. [1] He is best known for the Light of the World, the most popular religious ...
The Holy Spirit as a dove in the Annunciation by Rubens, 1628. The Holy Spirit has been represented in Christian art both in the Eastern and Western Churches using a variety of depictions. [1][2][3] The depictions have ranged from nearly identical figures that represent the three persons of the Holy Trinity from a dove to a flame. [4]
The resurrection of Jesus has long been central to Christian faith and Christian art, whether as a single scene or as part of a cycle of the Life of Christ. In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely ...
A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge (1851–52) is the full, exhibited title of a painting by John Everett Millais, and was produced at the height of his Pre-Raphaelite period. It was accompanied, at the Royal Academy of Arts in London in 1852, with a long quote ...