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Hans Christian Andersen's The Little Mermaid (1975 film) Hansel and Gretel: An Opera Fantasy; Happily Ever After (1989 film) Happily N'Ever After; Happily N'Ever After 2: Snow White—Another Bite @ the Apple; Hoodwinked Too! Hood vs. Evil; Howl's Moving Castle (film)
Johnny Castaway is a screensaver released in 1992 by Sierra On-Line/Dynamix, and marketed under the Screen Antics brand as "the world's first story-telling screen saver".. The screensaver depicts a man, Johnny Castaway, stranded on a very small island with a single palm tree.
Witchcraft is a horror film series, that as of March 2018, has 16 direct to video installments, making it one of the horror genre's longest-running interconnected series. [1] [2] It began in 1988, and most films focus, at least partially, on the character of William Spanner, who is a powerful warlock who fights for good despite having an evil lineage.
Outside the circle, the landscape is bare and barren; a group of rooks or ravens and a frog – all symbols of evil associated with witchcraft – are excluded. But within its confines are flowers and the woman herself, objects of beauty. The picture's meaning is unclear, but its mystery and exoticism struck a chord with contemporary observers.
Merrow (from Irish murúch, Middle Irish murdúchann or murdúchu) is a mermaid or merman in Irish folklore. The term is anglicised from the Irish word murúch. The merrows supposedly require a magical cap (Irish: cochaillín draíochta; anglicised: cohuleen druith) in order to travel between deep water and dry land.
Witchcraft (also known as Witches and Warlocks) is a 1964 British horror film directed by Don Sharp and starring Lon Chaney Jr., Jack Hedley and Jill Dixon. [1] The script was written by Harry Spalding .
The Little Mermaid (Русалочка, Rusalochka) Vladimir Bychkov: 1976: The Little Mermaid (Malá mořská víla) Karel Kachyňa: 1976: The Little Mermaid (Русалочка, Rusalochka) Ivan Aksenchuk: 1968 [236] [237] The Little Mermaid II: Return to the Sea: Jim Kammerud: 2000: The Little Mermaid: Ron Clements, John Musker: 1989: The ...
Aoli critically slammed the series' representation of witchcraft in an essay in Totally Charmed: Demons, Whitelighters and the Power of Three. [23] Furthermore, other critics at The Witches Voice argue that Charmed's representation of witchcraft, including their Book of Shadows, creates "so many misconceptions" about Wicca in the modern world. [24]